The Concrete Room - First Isolation

Started by: Cassandra | Replies: 1 | Views: 556

Cassandra
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Sep 23, 2014 5:16 PM #1245914
I made this (rather short) series a very long time ago.
These writes happened to be in a storage device that I haven't looked into for a while.
The challenge between my brother and I was to make a story with just 1000 words.
That's right. The tale within the spoiler is only 1000 words. No more, no less.
Since my first entry was fun, I decided to continue.

Unfortunately, this is NOT the first 1000-word entry I made for the competition.
I didn't submit it because I thought the beginning didn't make much sense. :(

I don't know if all of you want to hear it anyways. :confused:

On the bright side, this is 1 of 4, the fourth of which I'm working on.
I decided to post a new section each week (if that's even possible), just to keep the suspense. LOL

Hope you enjoy!

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Sep 25, 2014 2:34 AM #1246364
Hey Cassandra! I found the concept of your story very interesting and I have mad respect for when people shoot for a certain unorthodox goal, such as landing exactly on your 1,000 words! Always happy to see some experimentation going on!

That being said there were a few bumps in the road here, specifically with your ands and commas or lack there of.

You don't need a comma every time you use the word, and while I'm not 100% on what the specific rule is exactly, I think it has a lot to do with whether or not it's being used as a transition between subjects.

"It was a long journey for Jack and Jill as they walked up the hill."
"It was a long journey for Jack, and Jill couldn't even move without her staff as they walked up the hill."
I know my example is radically different, but in the top it's about Jack and Jill equally, what applies to one applies to the other. In the second, this is no longer true. While they both may be on the same adventure, Jill is specifically the subject of the second part whereas Jack is excluded until it becomes they again.

I scratched at the whispering walls, and heard my name radiating off of them.
On that concept, this one is about the narrator all the way through so it doesn't quite sound right.
I scratched at the whispering walls and heard my name radiating off of them.
Similarly, if the subject changed, the comma would fit once more.
I scratched at the whispering walls, and they radiated my name.

Still on commas, ya gotta watch out for sentences getting too long on ya.

I tried to go back to my normal homeless life in the alleys of the city, and then without warning, a few weeks later, the men came back and took me with them to a metal area beneath the surface of the city I had walked in ever since I had been born.


A lot happens in that one sentence, maybe a bit too much to commit to memory. Periods are bigger pauses than commas and give you time to gather your thoughts, which is necessary when you're throwing a lot of information at someone. Similarly, people do have to breath and commas can't let you suck too much air in. If you come across something that sounds too long, try reading it out loud (or if you're basically mute like me mouth it) and if you're gasping by the end, break it up a little bit.

I tried to go back to my normal homeless life in the alleys of the city, and then without warning, a few weeks later, the men came back. They took me with them to a metal area beneath the surface, the surface of the city I had walked in ever since I had been born.

Don't want anyone passing out on ya!

I held my ground against them when they asked me personal questions about an extremely close friend of mine who had reportedly killed a helpless lady in a grocery store in front of a selection of security cameras.

Same concept, it's just a lot to take in. Just break it up to bites like a burger and you'll be fine though!

An extremely close friend of mine had reportedly killed a helpless lady in a grocery store in front of a selection of security cameras. When the police came I held my ground against them when they asked me personal questions about him.

The first one's still a little awkward though, but I think that's just because it's a bit wordy. Like, there are two many one word descriptors in a chain. I forget what they're called.

An extremely close friend of mine had murdered a helpless lady in front of security cameras in a grocery store. When the police came I held my ground against them when they asked me personal questions about him.

This might be a personal thing, but as far as settings go I like to work my way up from small to big instead of jumping around, kinda like a camera zooming out. It's easier to picture, at least for me.

Two things left! I mentioned this briefly in the beginning, but '...'s read odd when there's no gap around it. Whatever it's attached to gets dragged out a little bit longer. "Steve's... dead." "Steve's ...dead." Did those sound differently when you read them over? In the first one, the fact that it's Steve is a little bit in disbelief, while the second it's that he's actually dead.

My last thing is that madness, while hard to describe still needs to be shown. The tethers holding your character to their sanity are coming unwound, but it still needs to make some level of sense to your readers, you need to dive them deep into their mind, in the midst of the urges.

Have you ever seen Liar Liar? In it, there's a scene where Jim Carry is desperately trying to get his trial postponed until he can lie again, so in an act of desperation, he goes the bathroom and beats the heck out of himself. In the midst of this, a guy walks in on him and Jim tells him that "I'm kickin' my ass!" The dude, confused out of his mind, bolts. I felt a little bit like the unfortunate man who many never get to pee in that. I can clearly see that something's wrong, but without any further knowledge I'm just lost in the dark of the situation, even with the statement offered. There need to be reasons behind actions, even random ones. For example, if I punched the wall next to me in the face for no apparent reason, there would've still been something leading up to it. Maybe I think I'm awesome and can totally make an inanimate object cry or I could just be in a horrible mood. Either way, action requires reason. It still has to be relatable for it to make sense to someone.

Again though, I found the concept of this very interesting, and I understand that it's old! I'm looking forward to seeing the trickle in of your progress through time!